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斯蒂芬妮·罗斯曼Jorgensen程序

到1974年,斯蒂芬妮·罗斯曼已经在电影行业工作作为一个作家,导演和制片人的十年中,有七个功能导演学分她的名字,在一个独立的创造性发展的副总裁工作室。

Rothman是为数不多的女性有一个显著的导演生涯中“新好莱坞”。However, for decades her career and cinematic output languished in semi-obscurity. Thankfully, beginning in 2015, her work has been rediscovered and appraised for the groundbreaking contributions it offers—both cinematically and in the film industry itself. In the last eight years, two Rothman films have been restored (one by the Academy Film Archives and one by noted distributor Vinegar Syndrome), and the Museum of Modern Art (MoMA) is working on future restorations of Rothman's other films. She has been screened at MoMA, the esteemed theaters Metrograph and Film Forum, the TCM Classic Film Festival, and has been featured on the Criterion Channel streaming service. Critically, she is featured in the "Women in Film" exhibit of the Academy of Motion Picture Arts and Sciences Museum and has been featured in numerous public press outlets as well as scholarly journals and books.

罗斯曼的时代已经来临,难怪她的电影是惊人的一个集体,当代神经。常常援引的时间之前,罗斯曼的电影地址种族、阶级和性别政治的正面,正式和审美不同。工作类型,罗斯曼与工作对社会乌托邦之间的复杂的路口,人性,和日常生活。

Rothman在台上将加入由IU电影导演艾丽西亚Kozma博士,2022年出版的一本书的作者是谁斯蒂芬妮·罗斯曼的电影:电影制作的激进行为(密西西比河)。